Exhibited as part of 'L'Imaginaire Irlandais' at Villesalem Abbey, France coordinated by Le Confort Moderne, Poitiers 1996.

"'First there is nothing, then there is a deep nothingness, then a beep blue'. These words by Gaston Bachelard became a work by Yves Klein enunciated in Antwerp in April 1959. This pictorial sensibility, inaugurated by Suprematism, infuses Sarah Iremonger's works, which must be viewed, as stated by Mark Rothko regarding his works, 'in a light which is not too strong, be it natural or artificial'. The Abbey at Villesalem would fulfil these conditions perfectly."

(Dominique Truco, Artistic Director and Coordinator, Le Confort Moderne, Poitiers, France, September 1995 as part of the project development proposal for 'L'Imaginaire Irlandais' France 1996)