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from effect to ideology and back again 2000
Sarah Iremonger from effect to ideology and back again 2000 Household paint, car spray paint, acrylic paint on various boards
any time any place
1998
Household paint, car spray paint, acrylic paint on various boards
Variable

Exhibited as part of 'from effect to ideology and back again' CIT Cork Institue of Technology, Cork 2000.
Sarah Iremonger from effect to ideology and back again 2000 Left oil on canvas, right household paint on canvas, business card, identity badge
Left bearable rules for making a painting (blue), right ocean blue
1998
Left oil on canvas, right household paint on canvas, business card, identity badge
Left 200 x 300 cm (two canvases 200 x 150 cm ea), right 150 x 200 cm

Exhibited as part of 'from effect to ideology and back again' CIT Cork Institue of Technology, Cork 2000.
Sarah Iremonger from effect to ideology and back again 2000 Felt, plastic, stretchers, car spray paint, oil paint, household paint, acrylic paint on canvas
this is not a colour card
1998
Felt, plastic, stretchers, car spray paint, oil paint, household paint, acrylic paint on canvas
33 x 24 cm (ea) 72 x 120 cm (over all)

Exhibited as part of 'from effect to ideology and back again' CIT Cork Institue of Technology, Cork 2000.
Sarah Iremonger from effect to ideology and back again 2000 Felt, plastic, stretchers, car spray paint, oil paint, household paint, acrylic paint on canvas
this is not a colour card
1998
Felt, plastic, stretchers, car spray paint, oil paint, household paint, acrylic paint on canvas
33 x 24 cm (ea) 72 x 120 cm (over all)

Exhibited as part of 'from effect to ideology and back again' CIT Cork Institue of Technology, Cork 2000.
Sarah Iremonger from effect to ideology and back again 2000 Oil on canvas
bearable rules for making a painting (blue)
1998
Oil on canvas
200 x 300 cm (two canvases 200 x 150 cm ea)

Exhibited as part of 'from effect to ideology and back again' CIT Cork Institue of Technology, Cork 2000.
Sarah Iremonger from effect to ideology and back again 2000 Oil on canvas
bearable rules for making a painting (green)
1998
Oil on canvas
200 x 300 cm (two canvases 200 x 150 cm ea)

Exhibited as part of 'from effect to ideology and back again' CIT Cork Institue of Technology, Cork 2000.
Sarah Iremonger from effect to ideology and back again 2000 Household paint on canvas, business card, identity badge
ocean blue
1998
Household paint on canvas, business card, identity badge
150 x 200 cm

Exhibited as part of 'from effect to ideology and back again' CIT Cork Institue of Technology, Cork 2000.
Sarah Iremonger from effect to ideology and back again 2000 Household paint on canvas, business cards, identity badges
Left sky blue, right green pastures
1998
Household paint on canvas, business cards, identity badges
61 x 46 cm (ea)

Exhibited as part of 'from effect to ideology and back again' CIT Cork Institue of Technology, Cork 2000.
Sarah Iremonger from effect to ideology and back again 2000 Felt, stretcher, business card, identity badge
snooker table
1998
Felt, stretcher, business card, identity badge
63 x 47 cm

Exhibited as part of 'from effect to ideology and back again' CIT Cork Institue of Technology, Cork 2000.
Sarah Iremonger from effect to ideology and back again 2000 Left acrylic on canvas, right 24 laminated posters
Left the original, right when i go home i always fall in love on the tube
2000
Left acrylic on canvas, right 24 laminated posters
Left 100 x 100 cm, right 200 x 400 cm

Left after 'Snow Storm' by J.M.W. Turner, 'The Annunciation' by Rene Magritte, 'Pottery' by Patrick Caulfield, 'Trivaux Pond' by Heneri Matisse, 'Leaves and Shell' by Fernand Leger, ' Man with Newspaper' by Rene Magritte, 'Bottle of Vieux Marc, Glass, Guitar and Newspaper' by Pablo Picasso, 'Flatford Mill' by John Constable, 'The Great Day of His Wrath' by John Martin, 'Interior with Water Lilies' by Roy Lichtenstein, 'The Artist's Daughter, Mary' by Thomas Gainsborough and 'The Death of Major Peirson' by John Singleton Copley. Exhibited as part of 'from effect to ideology and back again' CIT Cork Institue of Technology, Cork 2000.
Sarah Iremonger from effect to ideology and back again 2000 Acrylic on canvas
the original
1999
Acrylic on canvas
100 x 100 cm

After 'Snow Storm' by J.M.W. Turner, 'The Annunciation' by Rene Magritte, 'Pottery' by Patrick Caulfield, 'Trivaux Pond' by Heneri Matisse, 'Leaves and Shell' by Fernand Leger, ' Man with Newspaper' by Rene Magritte, 'Bottle of Vieux Marc, Glass, Guitar and Newspaper' by Pablo Picasso, 'Flatford Mill' by John Constable, 'The Great Day of His Wrath' by John Martin, 'Interior with Water Lilies' by Roy Lichtenstein, 'The Artist's Daughter, Mary' by Thomas Gainsborough and 'The Death of Major Peirson' by John Singleton Copley. Exhibited as part of 'from effect to ideology and back again' CIT Cork Institue of Technology, Cork 2000.
Sarah Iremonger from effect to ideology and back again 2000 24 laminated posters
when i go home i always fall in love on the tube
1998
24 laminated posters
200 x 400 cm

Exhibited as part of 'from effect to ideology and back again' CIT Cork Institue of Technology, Cork 2000.
Sarah Iremonger from effect to ideology and back again 2000 Super fresco embossed wallpapers, stretchers, acrylic paint, brass and mahogany plaque
shell, bark, sea swirl, coral, wave, waterfall
1999
Super fresco embossed wallpapers, stretchers, acrylic paint, brass and mahogany plaque
123 x 139 cm (over all / six canvases)

Exhibited as part of 'from effect to ideology and back again' CIT Cork Institue of Technology, Cork 2000.
Sarah Iremonger from effect to ideology and back again 2000 Brass and mahogany plaque
shell, bark, sea swirl, coral, wave, waterfall / detail
1999
Brass and mahogany plaque
6 x 18 cm

Exhibited as part of 'from effect to ideology and back again' CIT Cork Institue of Technology, Cork 2000.
Sarah Iremonger from effect to ideology and back again 2000 Enamel household paint on canvas
white landscape
1999
Enamel household paint on canvas
100 x 120 cm

After 'Flatford Mill' by John Constable and 'Bark, Shell and Sea Swirl' super fresco embossed wallpapers. Exhibited as part of 'from effect to ideology and back again' CIT Cork Institue of Technology, Cork 2000 and 'Crawford Open' Crawford Art Gallery, Cork 2001.
Sarah Iremonger from effect to ideology and back again 2000 Enamel household paint on canvas
white landscape / detail
1999
Enamel household paint on canvas
100 x 120 cm

After 'Flatford Mill' by John Constable and 'Bark, Shell and Sea Swirl' super fresco embossed wallpapers. Exhibited as part of 'from effect to ideology and back again' CIT Cork Institue of Technology, Cork 2000 and 'Crawford Open' Crawford Art Gallery, Cork 2001.
Sarah Iremonger from effect to ideology and back again 2000 Household paint, various photography frames, pen on paper
family portrait
1998
Household paint, various photography frames, pen on paper
35 x 120 x 45 cm (over all)

Exhibited as part of MA exhibition at Winchester College of Art 1998.
Sarah Iremonger from effect to ideology and back again 2000 Photography frame, printed text, pen on paper
family portrait / detail
1998
Photography frame, printed text, pen on paper
35 x 120 x 45 cm (over all)

Exhibited as part of MA exhibition at Winchester College of Art 1998.
Sarah Iremonger from effect to ideology and back again 2000 Printed text
family portrait / detail
1998
Printed text
35 x 120 x 45 cm (over all)

Exhibited as part of MA exhibition at Winchester College of Art 1998.
Sarah Iremonger from effect to ideology and back again 2000 Household paint on various boards
green pastures
1998
Household paint on various boards
100 x 120 cm (over all)

Exhibited as part of MA exhibition at Winchester College of Art 1998.
Sarah Iremonger from effect to ideology and back again 2000 Household paint on various boards and boxes
shy blue
1998
Household paint on various boards and boxes
75 x 100 cm (over all)

Exhibited as part of my exhibition at Winchester College of Art 1998.
Sarah Iremonger from effect to ideology and back again 2000 Left household paint, car spray paint, acrylic paint on various boards, left felt, stretcher, household paint on canvas, business cards, identity tags
Right any time any place, left (from left) snooker table, shy blue, green pastures
1998
Left household paint, car spray paint, acrylic paint on various boards, left felt, stretcher, household paint on canvas, business cards, identity tags
Left variable, right (from left) 63 x 47 cm, 61 x 46 cm (ea)

Exhibited as part of ‘an investigation into the act of interpretation in relation to the area of representation’ Vizivarosi Gallery, Budapest, Hungary 1998.
Sarah Iremonger from effect to ideology and back again 2000 Left (from left) felt, stretcher, household paint on canvas, business cards, identity tags, right household paint on various boards
Left (from left) snooker table, shy blue, green pastures right water piece (ocean blue, ocean cruise, blue lagoon, boating lake, sea mint, sea mist
1998
Left (from left) felt, stretcher, household paint on canvas, business cards, identity tags, right household paint on various boards
Left 63 x 47 cm, 61 x 46 cm (ea), right 100 x 120 cm (over all)

Exhibited as part of ‘an investigation into the act of interpretation in relation to the area of representation’ Vizivarosi Gallery, Budapest, Hungary 1998.